"Many artists and critics have argued that this need to move around and through the work activates the viewer... This activation is, moreover, regarded as emancipatory, since it is analogous to the viewers engagement in the world. A transitive relationship therefore comes to be implied between 'activated spectatorship' and active engagement in the socio-political arena." -Claire Bishop, Installation Art: A Critical History
The concept for my installation might be considered, according to Claire Bishop, "installation art that posits the activated viewer of installation art as a political subject". These particular politics would focus on the small-scale of our university campus, on issues that have gone unnoticed by the majority of campus for far too long. That is, the inaccessibility of a staggering number of buildings and spaces on campus. This work is site-specific in that it all the locations share the commonality of being doorways in need of a ramp. Of course, the lack of ramps is far from the only concern when it comes to making these spaces accessible, there are other needs such as push buttons and elevators, but at least for this mock-up I have attempted to narrow my focus to addressing solely ramps in a handful of areas. My idea is that the placement of the installation in doorways necessitates the activation of the viewer as they must walk through the work, making the work directly confrontational as it forces the then activated viewer to become aware of an issue they may have not previously considered.



